It’s ferry Friday – here’s the Queen of Capilano on her way back to Horseshoe Bay from Bowen Island at dusk last weekend.
A clear evening, a view of the ferry, and a pink sky. All I had to do was keep the camera steady. I was hoping to be able to push the colour a bit more to make it a bit more dramatic but it didn’t really look right, so I kept my adjustments modest. More realistic, albeit at the expense of being a little less eye-catching.
On the whole I’ll take realism any day – I see too many photos on Instagram (and Flickr and Facebook) where the colours have been pushed to ridiculous levels in the hope of attracting more likes. (And that’s before we get into discussions of HDR.) At least I assume that’s the case – perhaps the posters genuinely like their photos to look that way? Maybe that is “realistic” to them? Who knows? I don’t see exactly the same as them and my screens are setup differently.
It occurred to me as I was writing this that eye-catching is probably the name of the game for many people on Instagram. Given the continuous scrolling through dozens of photos, it takes something to literally catch your eye as you go, something to make you stop scrolling and take a closer look, tap the heart, or even leave a comment. Sure, I enjoy seeing those “like” notifications as much as anyone, but at the end of the day, if only a few others like my photos, I’m fine with that.
I will admit, though, that I do get a little irked when I see mediocre photos being lauded as “excellent work”, but I also recognize that the number of likes and comments is pretty much directly related to the number of followers, and I’d have to work harder to gain more followers in order to increase my likability. I’m not so heavily into my own self-promotion to do that. And do I want followers who can’t tell a good photo from a bad one? What’s the value of their likes to me in that case, other than for massaging my ego?
So I will go on just posting photos I like, those that can jog a memory or two for me, and, yes, I hope that others may find them interesting.
Long exposure at the blue hour.
I’ve always loved long exposure photographs. The first time I really remember being aware of the concept was when I saw a documentary about a photographer who used pinhole cameras to take hours-long exposures of popular city locations to reveal scenes devoid of people. I thought it was amazing. Since then I’ve seen other similar examples (plus I’ve seen how to mimic this in post-processing), but the most common subject for long-exposure photography is water; the ocean, a lake, a river, or waterfall. I don’t habitually carry a tripod around with me, which means I’m usually limited in my exposures to what I can take hand-held, and I’ve got quite good at holding a camera steady for up to 1/4 second.
But to get those glassy ocean shots needs much longer exposures and, therefore, a tripod (plus a neutral density filter – which I lack). My GorillaPod is proving to be too wobbly for the kinds of photos I’m after, so I made use of a number of logs on the beach to experiment with exposures of up to about 8 seconds. It took a few shots (owing to the fact that none of the logs were level), but I finally got one I liked. And somehow I felt it looked better when I kept the blue tint rather than using a more realistic colour balance. It’s not perfect, but it’s good enough.
A view of Golden Ears from the entrance to Active Pass on our ferry ride home.
I’m sure I’ve said this before, but I love being out on deck as the ferry goes through Active Pass. I’ve seen killer whales here several times, seals most times, eagles, and the occasional sea lion. On our outward journey on Friday, I saw a couple of deer feeding in one of the meadows on Mayne Island.
As usual, I was up at the bow, primed to get take a picture of the other ferry coming towards us, only to be reminded of the glorious view of Golden Ears framed between headlands on Galiano (left) and Mayne Islands. Since it caught me by surprise, I was a little late in taking the photo, and as a result, it’s not as well framed as I feel it could have been; I would like the headlands to be a little closer together. I’ll have to make sure I get it right next time! Maybe the light will be more favourable too?