Long blues

Long exposure at the blue hour.

I’ve always loved long exposure photographs. The first time I really remember being aware of the concept was when I saw a documentary about a photographer who used pinhole cameras to take hours-long exposures of popular city locations to reveal scenes devoid of people. I thought it was amazing. Since then I’ve seen other similar examples (plus I’ve seen how to mimic this in post-processing), but the most common subject for long-exposure photography is water; the ocean, a lake, a river, or waterfall. I don’t habitually carry a tripod around with me, which means I’m usually limited in my exposures to what I can take hand-held, and I’ve got quite good at holding a camera steady for up to 1/4 second.

But to get those glassy ocean shots needs much longer exposures and, therefore, a tripod (plus a neutral density filter – which I lack). My GorillaPod is proving to be too wobbly for the kinds of photos I’m after, so I made use of a number of logs on the beach to experiment with exposures of up to about 8 seconds. It took a few shots (owing to the fact that none of the logs were level), but I finally got one I liked. And somehow I felt it looked better when I kept the blue tint rather than using a more realistic colour balance. It’s not perfect, but it’s good enough.

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